Editing Agree to do a bit of modeling/Tables

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|Value 120 = {{IL|Your Brother, Returned}}<br />{{IL|Your Daughter, Returned}}
 
|Value 120 = {{IL|Your Brother, Returned}}<br />{{IL|Your Daughter, Returned}}
 
|Effect 120 = "Always good practice to do a family grouping," says the artist, cutting a point into his pencil. "I always try if I can capture a little of the history, you know, the relationship between people."
 
|Effect 120 = "Always good practice to do a family grouping," says the artist, cutting a point into his pencil. "I always try if I can capture a little of the history, you know, the relationship between people."
|Value 210 = {{IL|Esoteric Accomplice}}<br />{{IL|Fabulous Accomplice}}
+
|Value 210 = {{IL|Platonic Partner in Crime}}<br />{{IL|Esoteric Accomplice}}<br />{{IL|Fabulous Accomplice}}
 
|Effect 210 = Your Accomplice has always been good at making an impression. The artist does not quite know what to do with inspiration of this calibre, but he is enjoying the attempt.
 
|Effect 210 = Your Accomplice has always been good at making an impression. The artist does not quite know what to do with inspiration of this calibre, but he is enjoying the attempt.
|Value 230 = {{IL|Platonic Partner in Crime}}
 
|Effect 230 = Your platonic partner in crime shies from the limelight, so that the picture is chiascuro in extremis.
 
 
|Value 260 = {{IL|Genre Painter}}
 
|Value 260 = {{IL|Genre Painter}}
 
|Effect 260 = The Genre Painter fidgets as he sits. It's hard for him not to ask to see the painting before it's completed, or not to offer an opinion – occupational hazard, perhaps. The resulting portrait carries that restless energy.
 
|Effect 260 = The Genre Painter fidgets as he sits. It's hard for him not to ask to see the painting before it's completed, or not to offer an opinion – occupational hazard, perhaps. The resulting portrait carries that restless energy.

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