Painter of Fine Art
From Fallen London Wiki (Staging)
| A player-created Guide is available for this content: Painting in Balmoral (Guide) |
You have devoted time and care to the representational arts – whether landscapes or portraits, grand murals or delicate miniatures, your hand is steady and your style well-developed.
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Unlocked with
Level Descriptions
- 1 - 2: You have painted a fine painting
- 3 - 4: You have painted several fine paintings
- 5 - 6: You have painted enough paintings to wear out a set of brushes
- 7 - 9: You have painted enough paintings that your peers recognise your brush-strokes
- 10 - 24: Your painterly style has attracted several emulators
- 25 - 49: You know you have arrived as a painter when people begin to forge your work – blast them
- 50 - 76: You have painted so many paintings that critics divide your work into three distinct "periods"
- 77 - 124: Your paintings may be found in galleries, private homes, and museums all over London
- 125 - 199: Academics bombard you with questions about your personal life and what experience could possibly have informed the imagery in your most recent work; they would not be able to bear the answer
- 200 - 776: The periodisation and explication of your work has become its own specialisation in the field of art history. Summerset has an endowed Chair just for the purpose
- 777+: You have painted so many paintings that you are singly blamed for the Great Canvas Shortage of 1899
Sketching Hinterland Statues
 Painter | Description |
|---|---|
| 0 - 4 | It's a sketch of a sculpture, and that naturally doesn't have the same effect as sketching a live model. But passers-by think it's handsome. One of them even leaves you a gift. |
| 5 - 9 | It's a sketch of a sculpture, and that naturally doesn't have the same effect as sketching a live model. But passers-by recognise the quality of your line-work anyhow. One of them even leaves you a gift. |
| 10+ | It's only a drawing, not a fully developed painting. […] But even such a casual effort is visibly yours – your composition, your handling of line and mass and shadow. Passers-by admire without fully understanding, and one leaves you a gift. |
Sketching Hinterland Statues (Failure)
| Painter | Description |
|---|---|
| 0 - 4 | You try to capture the charismatic elegance of this statue, but the results are disappointing. Before you can amend the proportions, a passer-by laughs at your efforts. Well! |
| 5+ | You have a vision […] that emulates the line of the statue but brings its surroundings to imagined life. The results[…] are disappointing. Oh, the passers-by don't know any better. Some […] think your work is quite good. But it isn't what you meant to draw. |
